William Bradford's Of Plymouth Plantation
Puritan Typology
Puritans saw human and social history as a cyclical succession of eras
that lead toward a single, glorious design conceived in the mind of God.
They saw historical progress as a repetition of "types," identifying in
the Old Testament various foreshadowings of actions and events in the New
Testament. According to this method of historical "Typology," the
character of Moses prefigured the appearance of Christ, and Moses' delivery
of the Israelites from Egypt prefigured Christ's salvation of humanity.
The Puritans saw their departure from England and Holland to a new
promised land in America as yet another historical manifestation of this
history, with themselves being the new Israelites chosen and favored by
God. As you read the selections from Of Plymouth Plantation,
pay attention to Bradford's efforts to associate the Plymouth colonists
with the Israelites of Scripture.
Audience and Context
As you read the selections from Bradford's account of Plymouth Plantation,
you need to keep in mind Bradford's intended audience and the historical
context of the composition of the history. Of Plymouth Plantation
was written after the original settlement had been accomplished
by the Mayflower pilgrims ("old comers"), and after their intense
suffering and sacrifices had finally brought about security and prosperity
for the colony. Bradford writes not to the old comers but to the
second and third generations of colonists whom he believes have strayed
away from the original faith, piety, and spiritual fortitude of their parents
and grandparents. In the words of the critic Jesper Rosenmeier, "Bradford's
aim [as a historian] is not to portray the past with the fullest possible
objectivity but to resurrect a bygone holiness; a holiness that, he knows
and never loses sight of, must be resurrected by and in his audience."1
As you read the selections, keep track of passages that seem to reflect
Bradford's effort to inspire puritan piety within a generation of spiritualists
threatened by prosperity and worldliness.
Conscious Craft
Hasty readers may find Bradford's prose to be dry and burdensome, and
in fact he deliberately chose to write his history in what was then called
the "plain style," in contrast to the deeply elaborate and ornate style
of "euphuism." And yet Bradford's style is anything but plain.
The critic E. F. Bradford first called attention to his use of emphatic
couplings to create a variety of sense and description, his use of syntactical
balance and antithesis, his use of alliteration, assonance, and consonance.2
The opening paragraph on page 165 provides fine examples:
When as by the travail and diligence of some godly and zealous
preachers, and God's blessing on their labors, as in other places of the
land so in the North parts, many became enlightened by the Word of God
and had their ignorance and sins discovered unto them, and began by his
grace to reform their lives and make conscience of their ways; the work
of God was no sooner manifest in them but presently they were both scoffed
and scorned by the profane multitude;
and the ministers urged with the yoke of subscription,
or else must be silenced. And
the poor people
were so vexed with apparitors and pursuivants
and the commissary courts,
as truly their affliction was not small. Which, notwithstanding,
they bore sundry years with much patience, till they were occasioned by
the continuance and increase
of these troubles, and other means which the Lord raised up in those
days, to see further into things by the light of the Word of God. . . .
Pay attention not only to what Bradford says, but how he says it.
His elegant prose style is part of what makes Of Plymouth Plantation
such a memorable and profound record of early American colonization.
Works Cited
1. Rosenmeier, Jesper. 'With My Owne Eyes': William
Bradford's
Of Plymouth Plantation." Typology and Early American
Literature, ed. Sacvan Bercovitch (Univ. of Massachusetts Press, 1972),
69-104.
2. Bradford, E. F. "Conscious Art in Bradford's
History of Plymouth Plantation."
New England Quarterly, 1 (April
1928): 133-157.