The American Brass Quintet -April 11
We welcome back one of the world’s foremost brass quintets,
a group of stellar brass performers and educators, who will stay in
Boise several days for our concert, a series of brass educational activities,
and a concert on the BSU Student Union Fine Arts Series. When THE AMERICAN
BRASS QUINTET gave its first public performance over forty-six years
ago, brass chamber music was relatively unknown to concert audiences.
That modest debut, on December 11, 1960, marked the beginning of an
international concert career for the ensemble that Newsweek calls "the
high priests of brass." In the U. S., the Quintet has performed
on major concert series in all fifty states including at Carnegie Hall,
Lincoln Center and the Kennedy Center. The ABQ's foreign touring has
taken it throughout Europe, Central and South America, the Middle East,
Asia, and Australia. Among recent foreign performances, the Quintet
performed to rave reviews at the Accademia Nazionale di Santa Cecilia
in Rome, in Japan at the 10th Anniversary of the Aspen-Japan Festival,
at the National Concert Hall in Taipei, the Orquesta Sinfonica Carlos
Chavez in Mexico City, Bratislava Music Festival in Slovakia, and Brno
Autumn Festival in the Czech Republic.
Since its inception, the ABQ has maintained an extensive recording
schedule. The ABQ has made over forty-five recordings representing
the largest body of serious brass chamber music ever recorded by one
ensemble. The Quintet has recorded for Albany, Arabesque, BASF, Bridge,
Columbia, CRI, Crystal, Cybele, Delos, Folkways, Japan Victor, Musical
Heritage, New World, Nonesuch, Serenus, Summit, Titanic, Well-Tempered
and others. Of equal importance to the ABQ's recording project is its
commissioning project, which now numbers over one hundred works for
brass quintet. ABQ commissions from William Bolcom, Robert Beaser,
Elliott Carter, Jacob Druckman, Eric Ewazen, David Sampson, Gunther
Schuller, Virgil Thomson, and recent Pulitzer-winner Melinda Wagner,
among others, are considered some of the most substantial additions
to the repertoire. These commissions, along with the Quintet's own
editions of Renaissance and Baroque music, and premieres of forgotten
19th century brass works, have added well over 100 works to the repertoire
and firmly established this ensemble's commitment to the ever growing
field of serious brass chamber music.
Termed "positively breathtaking" by the New York Times, and "of
all the brass quintets, this country's most distinguished" by
the American Record Guide, the American Brass Quintet has never wavered
in its devotion to brass chamber music throughout its forty-three years.
And, with its residencies at The Juilliard School and at the Aspen
Music School in the summer, it continues to contribute to a rich future
for the brass groups of tomorrow.


