Boise State’s cutting-edge Center for the Visual Arts was one of the first things Choe Nealon saw in Boise and a part of her decision to come to the university for her visual arts MFA.
“I had a professor in my undergrad who recommended the school because of the brand new [art] building. [It has] a really good printmaking facility,” she said. “That ended up working out. I love it here.”
That printmaking studio that excited Nealon is vaguely reminiscent of a chemistry lab a few doors over in the Science Building. Exhaust fans and modern printmaking chemicals stand side-by-side with printing presses and other tools from another era.
“There’s every printmaking medium you could possibly want there,” Nealon said, including the stone lithography that she specializes in. That art form, which Nealon describes as “super old and super niche,” uses greasy etchings on fine-grained limestone as a medium. As with any printmaking discipline, the limestone is pressed onto paper to produce direct copies of the original drawing.
“You grain [the limestone] down and it becomes this super smooth, buttery surface,” Nealon said. “You can get really subtle gradation and all kinds of stuff. It’s unlike any other surface to draw on.”
Nealon uses her medium to explore intergenerational trauma and legacy through the lens of nuclear science and nuclear waste. It’s a subject that she has deep ties to.
“I grew up around the Hanford Site, which is the plutonium production plant from World War II,” she said. “It is one of the most contaminated radioactive sites in the world. And I grew up with a father who worked at a contemporary nuclear power plant.”
The environmental issues raised by the Hanford Site and other similar areas are central to Nealon’s creative life. In 2025, she was named a PLACE Scholar by the Andrus Center for Public Policy. That position, typically awarded to environmental scientists and public policy experts, supported Nealon’s creative work and environmental advocacy.
“What if we slowed down and understood what it means to create plutonium and what it means to create waste that’s going to outlast humanity?” she said. “It’s a problem we’ve inherited and it’s something that we have to manage. Something that the next generation and the next generation and the next… it’s always going to have to be managed.”
Nealon’s thesis exhibition “Risk Society,” showing all the work she completed for her MFA, will be on display at the Neri Gallery in the Fine Arts Building from April 16-21, 2026.